Marks and Sparks in Performance during the Pandemic

Marks an innovative and interactive performance by Abheesh Sasidharan and team is a unique theatrical and performance-based artistic enterprise. It is played before the people from 2021 October 4 to 8. This collective aesthetic venture is performed in collaboration with School of Drama of Calicut University at Aranattukara campus near Thrissur. It is an artistic homage to the legendary British architect who became an Indian, Mr Laurie Baker (1917-2007) who is the master architect of the still versatile and diverse structures there standing in the Aranattukara campus. Architecture, theatre, nature, performance and the people become one in an intertwined aesthetic and truly polyphonic experience.

Marks by Aheesh Sasidharan at School of Drama Trisur 2021. Photo: Ajay Sekher

The whole theatre fraternity and community at the School of Drama are involved in the elaborate moving performance. Techno-art and conservationist politics merge with human rights issues and the critique of the hierarchical society in the context of intersectionality and graded inequality. A scathing critique of power and totalitarianism is the deeply impinged impetus of the cultural event. Animalization and demonization of the human, othering and dehumanization and the biopower and resistance potential of the subjugated form a key contemporary theme that is theatrically explored and multi-vocally enacted from the beginning to the end in deeply intricate and multi-sensory ways. The various little episodes are linked through the narrative/s of motion and change. Truly multi-cultural or polyphonic vision and multi-sensory experiences make it an engaging artistic creation or combined and involved making or production of social democracy and justice at large.

From the performance Marks at School of Drama, a homage to Laurie Baker too

 The concern for humanity, life at large and ecology are thrust areas of this key artistic intervention. The very survival and sustenance of life during the contagion and the the current conjecture involving totalitarian and monopoly formations both in Kerala and India and the world at large become the real setting and context of this ethical and political act of art. A new performance idiom and language of collaborative and participatory action are also evolved through exploring the non-visual and auditory stimuli. Touch, smell, and temperature differences and sensations are also utilized dexterously in the production. Eye masking and sense of taste are subtly embedded into the performance choreography and syncretic text. The whole world becomes players and performance makers in this unison.

Animalization and othering as dramatized in Marks by Abheesh Sasidharan at SoD Trisur

Marks leaves deep and engaging imprints of life and art onto the body and mind of the engaged moving audience as they are guided through the dark interiors and starlit exteriors and the drizzling thickets and the wet hedges skirting the old bare-brick architectural ensemble in an island like landscape amidst vast Kol wetlands and paddy fields of Thrissur suburbia. The natural vegetation, huge and meandering mango trees and other wild plants that literally engulf the campus in an ethereal way in the light showers and magical lightning as the gentle rain or rainbow from heaven become the organic arena and real-life props of the performance. The twittering of the birds and their soft landing and cajoling near our ears, shoulders, and neck are mesmerizing and scintillating. The elephant encounter in the blinded play within the play is unforgettable. The smell of the wild tuskers in the humid air becomes part of our senses and reflexes.

Surviving the pandemic through agriculture and culture as depicted in Marks by Abheesh Sasidharan

Solar and dynamo-like renewable energy sources are used for lighting and minimal illuminations that sparks critical and creative thoughts, affects and emotions in the audience in intricate ways. It is a watershed in the history of performance in Kerala as its true predecessor Madness done by Abheesh on the short fiction of C Ayyappan earlier in Kochi in 2019 within a moving Ambassador motor car at Tripunitura.

Intimate and multi-sensory peformance in Marks by Abheesh Sasidharan at SoD Trisur 2021.

The improvisational and contextually evolving theatrical language used in tandem with the performers who are students and academic exponents of theatre and performance make it unique and historic once again. This collective and collaborative artwork involves and actively engages the audience in creating the music of life and a true polyphony of community and collective survival in the time of the pandemic. Let it be a new beginning for theatre and performance in Kerala after the colossal wreck of the cultural space during the pandemic.

Dr Ajay S Sekher  

5 October 2021.

ajaysekher@gmail.com +91 9895797798