Tag Archives: Kumaran Asan

Siddha of Kayikara: Vajrayana in Kerala

Granite idol at Kayikara now installed at the gate of Asan memorial.  Can be identified as a Siddha of Vajrayana or Tantric Buddhism in Kerala. 26 Dec 2012

Granite idol at Kayikara now installed at the gate of Asan memorial. Can be identified as a Siddha of Vajrayana or Tantric Buddhism in Kerala. 26 Dec 2012

In the Oxford Illustrated Cultural History of India edited by A L Basham (New Delhi: 2007) Bhikhu Sangharakshita has sensitively traced the rise and fall of Buddhism and its various schools in India, the birthplace of the light of Asia.  According to Sangharakshita at least three schools were prominent. Hinayana, Mahayana and Vajrayana also formed the three stages of evolution and the most prominent schools of enlightenment in India that tried to resist caste and gender hierarchies in India.

The gateway of Asan memorial library and sculptural complex at Kayikara.  Siddha statue towards the right inside the wall.

The gateway of Asan memorial library and sculptural complex at Kayikara. Siddha statue towards the right inside the wall.

The Hinayana or Teravada which is often called the little cart projected the image of the Arhat as a desirable ethical stature.  The Mahayana or great cart was centred on the image of the Boddhisatva.  The last school of Vajrayana or Tantric Buddhism projected the image of the Siddha.  Arhat is a sage who has attained enlightenment following the path of the buddha.  Boddhisatva is a saintly and celestial mystical being akin to the buddha.  Siddha is a Buddhist yogi or a holy man with instant potentials and greater agency.

The buddha from Chandala Bhikshuki a pillar relief by Chavara Vijayan at Kayikara.

The buddha from Chandala Bhikshuki a pillar relief by Chavara Vijayan at Kayikara.

In Kerala the early Chera kings adopted the surname Athan which is a form of the Arhat.  Boddhisatva has become Chathan in Kerala.  Another synonym of the buddha, ‘Sastha’ is also associated with this word.  Siddha of Vajrayana has become ‘Chithan” in Kerala.  C V Kunjiraman the worldly disciple of Narayana Guru, a contemporary of Asan, a leading renaissance writer and anti caste activist has observed that Ezhava people in south Kerala had two deities traditionally: Chithan and Arathan.  Chithan is Siddha of Vajrayana and Arathan is none other than Arhathan/Athan a localized form of the Arhat.  In mid and north Kerala Ezhava and other Avarna people, especially the dalits still worship the Chathan.  Chathan is also connected to Sastha and Ayyappa by the Bahujans.

Asan, Narayana Guru and Dr Palpu: Bass relief by Chavara Vijayan at Kayikara

Asan, Narayana Guru and Dr Palpu: Bass relief by Chavara Vijayan at Kayikara

On 26 Dec 2012 I visited Kayikara, five km south of Varkala by the Arabian Sea which is renowned as the birth place of poet laureate Kumaran Asan.  His ancient household called Thomman Plackal is no more.  There is a library, a memorial statue, a sculptural complex and a Governemnt School at the place.  The in-charge of the library Mr Soman a senior citizen from the region  informed me that there was an ancient pond at the place and a granite idol was recovered from the pond which is now installed on the right of the gateway close to the compound wall facing west by the roadside.

Kumaran Asan statue at Kayikara by Chavara Vijayan

Kumaran Asan statue at Kayikara by Chavara Vijayan

The local people designate this life size granite idol as the buddha, as I talked to many.  A broad shouldered man with a head dress or rounded hair tuft (in place of the Jwala of the buddha) and a peculiar loin cloth stand with the palms joined together before the chest in the Pranama posture has some resemblance to the buddha.  The person has a round face, broad shoulders and thick lips and is in a spiritual melancholy.  The phase looks south Indian. There is a deep sorrow and yearning in the whole mood and look.   It has resemblance and some similitude to the figure of the Chakyar in Koodiyattam which is often associated with the Sakya artistes and early Buddhism in Kerala by many researchers.

Aruvipuram installation of Narayana Guru (1888): A bass relief by Chavara Vijayan at Kayikara

Tagore meeting Narayana Guru at Sivagiri: A bass relief by Chavara Vijayan at Kayikara

The statue is a unique one in its figuration and chiseling style.  The stone type and stylization are also different from other buddhas at Mavelikara, Kayamkulam, Kottapuram or Pattanam.  The other buddha idols recovered so far from Kerala belong to the Theravada early period and are dated to 7 th or 8th century by experts like Ilamkulam.  Most of them fall under the influence of the great Anuradhapura style of Srilanka.  But the Kayikara idol looks a lot recent and could be dated to 15th or 16th century.  Researchers like Dr Aju Narayanan also endorse this observation.

LIfe size idol of the Siddha at Kayikara.  Recovered from an ancient pond near the birth place of Asan.  A key icon of Tantric Buddhism or Vajrayana in Kerala.

LIfe size idol of the Siddha at Kayikara. Recovered from an ancient pond near the birth place of Asan. A key icon of Tantric Buddhism or Vajrayana in Kerala.

Buddhas generally appear in Padmasana, Bhumisparsa and Abhaya postures.  It is extremely unusual for a buddha to assume the Pranama posture that is a product of the Hindu hierarchical worldview.  But there are place names scattered all over Kerala connected to this posture of Pranama or  “Thozhal” in current Malayalam.  Thozhuvan Kode, Thozhuvan Konam, Thozhuvan Uru etc. are place names found all over Kerala.  Even in Malabar there are place names associated with the Thozhuvan or one who is in the Pranama posture.  Thazhampally and Mampally are regions just south of Kayikara.  The Chamana antiquity of the place is evident.

Buddha in Pranama posture, Temple of Nara, Japan. C. 8th century AD

Bodhisatva in Pranama posture, Temple of Nara, Japan. C. 8th century AD. Photo from Internet

In my inquiry through books and the internet a bodhisatva idol in the same posture was found in the Temple of Nara in Japan that belongs to the 8th century AD.  Mr Soman had also told me that when Mr Humayun Kabir the M P visited Kayikara he made a statement that it was not buddha as buddhas never assumed the Pranama posture.  It is true that the original buddhas in Hinayana and Mahayana never assumed this posture which is often related to Brahmanical Hindu cults.  But if you look at the history of the development of Tantric Buddhism or Vajrayana and its appropriation by Tantric Brahmanism in the 15th and 16th centuries this Pranama posture becomes meaningful.  it provides the vital clue and the missing link in the history of Buddhism in India.

Mampally and Thazhampally regions south of Kayikara.  A view from Anjengo light house.  Anjengo Kayal is also visible.

Mampally and Thazhampally regions south of Kayikara. A view from Anjengo light house. Anjengo Kayal is also visible.  ”Pally” in the place names proves the Sramana antiquity of the region as in Panayanpally and Thopumpady in Mattanchery in Ernakulam district.

Mahayana itself was a greater and diversified movement that diluted the original Hinavada or Sunyavada of the buddha.  Nagarjuna and other sages who basically came from Brahmanism itself digressed a lot from the original teaching of the buddha in their contestable attempts at popularizing and liberalizing Buddhism in India through their greater vehicle.  As a result of this large scale liberalization there was extensive hybridity and ambivalence in the context.  The ambiguous figure of the Siddha or Chithan emerged from this chaos.

Sarada installation by Narayana Guru at Sivagiri where he used the Jain imagination of the deity rather than the Brahmanical one.

Specially designed Pagoda with ventilation, enshrining the Sarada installation by Narayana Guru at Sivagiri  (April 1912) where he used the Jain imagination and consecration of the deity rather than the Brahmanical one. He traveled throughout the south India and in Sri Lanka before the act and imagined and designed the simple architecture of the shrine.  Foundation was laid in 1907.  Soon after the performative installation avoiding Tantric rituals he composed a literary offering to the goddess of knowledge, Janani Navaratna Manjari, Nine Gems in Praise of the Mother.

This hybridity and later easy apropriation by Brahmanism could also be read as a strategic tactics by the hegemonic forces to take over the heterodox Buddhism from within.  They infiltrated into the Sangha, liberalized it, hybridized it and smoothly converted it into Hindu Brahmanism.  Diluting, dividing and deviating is a key strategy used by imperialisms everywhere.

A little buddha idol, exactly like a little Krishna image. This one at Todaiji temple of Nara, Japan.

A little buddha idol, exactly like a little Krishna image. This replica of the  one at Todaiji temple of Nara, Japan. An example of ambiguity and hybridity. Photo from Internet

Thus the suspicious stone idol at Kayikara could be aptly identified as Chithan or the Siddha of Tantric Buddhism.  The Yogic Siddha stands in self engrossing Pranama by the Arabian Sea at Kayikara.  The undercurrent of Buddism in Asan’s poetry at least in its political unconscious could also be explained in the light of this Siddha of Kayikara.  It represents the gradual blurring of the boundaries between Tantric Buddhism and Tantric Brahmanism.  The icon provides the missing link in the socio cultural evolution of Kerala and India at large and the gobal history of Buddhism in general.

Christmas 2012 at Varkala: Papanasam, Kayikara, Anjengo, Sivagiri, Gurukulam…

Nature that washes away your sins; Varkala Papanasam beach: A view from the north of the cliff

Nature that washes away your sins and dirt; Varkala Papanasam beach: A view from the north of the cliff.  25 Dec 2012.  The unique laterite cliff formation on the verge of the sea is the geo-hallmark of Varkala, famous as the Varkala formation.

Bounty of nature and culture; popular book shops and art galleries on the Varkala cliff awaiting travelers from across the globe.

Bounty of nature and culture; popular book shops and art galleries on the Varkala cliff awaiting travelers from across the globe.  Black beach beyond in the north.

 

The perfect place to unwind and recharge with the nurture of elements. Sandy beach and rockery on Papanasam shore, Varkala.

The perfect place to unwind and recharge with the nurture of elements. Sandy beach and rockery on Papanasam shore, Varkala.

A dip in the mineral rich sea, a ride through the waves, a shower under the natural spa... will rejuvenate you from the dead of habit and the mundane.  25 Dec 2012

A dip in the mineral rich sea surge, a ride through the waves, a shower under the natural spa oozing out of ancient laterite cliff… will rejuvenate you from the dead of habit and the mundane. Papanasam beach, Varkala 25 Dec 2012

 

Asan memorial at Kayikara the birth place of poet laureate Kumaran Asan, 5km south of Varkala.  New sculptural complex and the Govt School in memory of Asan in the back ground.

Asan memorial at Kayikara the birth place of poet laureate Kumaran Asan, 5km south of Varkala. New sculptural complex and the Govt School in memory of Asan in the back ground. Chandala Bhikshuki sculpted by Chavara Vijayan on the pillar to the left.

Candle lit evenings on rooftops atop the cliff at Varkala beach. 25 Dec 2012

Candle lit evening on rooftops atop the cliff at Varkala beach. 25 Dec 2012

 

Beating the recession blues: A musician from Rajasthan selling his instruments on the cliff at Varkala.

Beating the recession blues: A musician from Rajasthan selling his instruments on the cliff at Varkala. 25 Dec 2012

Narayana Guru memorial on Sivagiri, Varkala.  A view from Narayana Gurukulam on an adjacent northern hillock, the retreat of Nitya Yati who wanted to see his super teacher always from a distance.

Narayana Guru memorial on Sivagiri hill, Varkala. A view from Narayana Gurukulam on an adjacent northern hillock, the retreat of Nitya Yati who wanted to see his super teacher always from a distance (Nataraja the disciple of Narayana was Yati’s master).

 

Colours of enlightenment:  Various facets of the buddha and his symbol the elephant painted by a north Indian artist in his studio gallery on the cliff at Varkala Papanasam.

Colours of enlightenment: Multiple facets of the buddha and his symbol the elephant painted in acrylic by a north Indian artist in his studio gallery on the cliff at Varkala Papanasam.

An archetectural confluence of religious and philosophic polyphony: Narayana Gurukulam convention centre, Varkala.

An architectural confluence of religious and philosophic polyphony: Narayana Gurukulam convention centre, Varkala.

 

An organic vigil:  A diligent Pond Heron at the Black Beach, Varkala.

An organic vigil: A diligent Pond Heron at the Black Beach, Varkala.

A couple from alien shores: Sunset at Papanasam beach, Varkala.  2012 Christmas comes to an end...

A couple from alien shores: Sunset at Papanasam beach, Varkala. 2012 Christmas comes to an end…

 

Fisher women coming for work on the morning of 26 Dec 2012. Black Beach, Varkala.

Fisher women coming for work on the morning of 26 Dec 2012. Black Beach, Varkala.

A European mother showing crabs and marine life forms to her curious little ones on the Black Beach, Varkala. 26 Dec 2012

A European mother showing crabs and marine life forms to her curious little ones on the Black Beach, Varkala. 26 Dec 2012

 

Coconut palm groves at the edge of the laterite cliff on the Varkala coast

Coconut palm groves at the edge of the laterite cliffs on the Varkala coast, attracting a lot of honey mooning youngsters from north India.

Fresh catch from the sea displayed before each seaside restaurant, served fresh and hot as well...

Fresh catch from the sea displayed before each seaside restaurant, served fresh and hot as well…

Narayana Gurukulam, Varkala.  Adjacent to Sivagiri.  It was the retreat of Nitya Chaitanya Yati.  The beautiful yellow bamboos scintillate the air and paint the blue sky in illuminating strokes...

Narayana Gurukulam, Varkala. Adjacent to Sivagiri. It was the retreat of Nitya Chaitanya Yati. The beautiful yellow bamboos scintillate the air and paint the blue sky in illuminating strokes…

 

Bass-relief of the buddha at Gurukulam convention centre, Varkala.

Bass-relief of the buddha at Gurukulam convention centre, Varkala.

 

Lady Christ among the fisher folk: A white woman helping the fishermen to pull the loop-net from the sea at Black Beach, Varkala.

Lady Christ among the fisher folk: A white woman helping the fishermen to pull the loop-net from the sea at Black Beach, Varkala. 26 Dec 2012

Fishing after Christmas:  Fishers active after Christmas day on the Black Beach, Varkala.

Fishing after Christmas: Fishers active after Christmas day on the Black Beach, Varkala.

 

Narayana Guru statue in Narayana Gurukulam, Varkala.

Narayana Guru statue in Narayana Gurukulam, Varkala.

The Chaitya facade to Gurukulam Convention Centre, Varkala.

The Chaitya facade to Gurukulam Convention Centre, Varkala.

 

Anjengo Fort and light house south of Varkala:  A historic battle field between the colonial powers like the Dutch, French and the British.

Anjengo Fort and light house south of Varkala: A historic battle field between the colonial powers like the Dutch, French and the British in Travancore.

At the summit of Anjengo light house.   Photo:  Jerry Antony

At the summit of Anjengo light house. Photo: Jerry Antony

 

Inside the Gurukulam Convention Centre, Varkala.

Inside the Gurukulam Convention Centre, Varkala.

A granite idol recovered from a pond at the birth place of poet Kumaran Asan at Kayikara.  It is seen as Buddha by the local people.  Can be identified as a Siddha idol belonging to the late Vajrayana or Tantric Buddhist stage in Kerala history, the transitional period from Buddhism to Brahmanism in Kerala history.  Siddha is associated with Vajrayana while Arhat is associated with early Teravada or Hinayana and Boddhisatva is associated with Mahayana.  C V Kunhiraman has observed that Ezhava people traditionally worshiped the Chithan and Arathan.  Chithan is Sidhan and Arathan is Arhatan.  Boddhisatva has become Chathan.  It is also associated with Sastha another synonym for the buddha.  Idol now installed at Asan Memorial, Kayikara.

A granite idol recovered from a pond at the birth place of poet Kumaran Asan at Kayikara. It is seen as Buddha by the local people. Can be identified as a Siddha idol belonging to the late Vajrayana or Tantric Buddhist stage in Kerala history, the transitional period from Buddhism to Brahmanism in Kerala history. Siddha is associated with Vajrayana while Arhat is associated with early Teravada or Hinayana; and Boddhisatva is associated with Mahayana. C V Kunhiraman has observed that Ezhava people traditionally worshiped the Chithan and Arathan. Chithan is Sidhan and Arathan is Arhatan. Boddhisatva has become Chathan. It is also associated with Sastha another synonym for the buddha. Idol now installed at Asan Memorial, Kayikara.

Thazhampally region south of Kayikara.  Vamanapuram river and Anjengo Kayal meet the Arabian sea here.  A bird's eye view from the top of Anjengo light house. 26 Dec 2012

Thazhampally region south of Kayikara. Vamanapuram river and Anjengo Kayal meet the Arabian sea here. A bird’s eye view from the top of Anjengo light house. 26 Dec 2012

Playing Christmas: Women in action in beach volleyball at Papanasam, Varkala on 2012 Christmas day.

Playing Christmas: Women in action in beach volleyball at Papanasam, Varkala on 2012 Christmas day.