Tag Archives: international theatre festival of Kerala

The Whole World is a Stage in Kerala: ITFoK 2013

Theatre as a critique of history and colonialism:  Gajab Kahani by Mohit Takalkar.

Theatre as a critique of history and colonialism: Gajab Kahani by Mohit Takalkar.

S*x, M*rality & Cens*rship by Sunil Shanbagh

S*x, M*rality & Cens*rship by Sunil Shanbagh

This is My Body, Come into My MInd by Alexandra Felseghi, Romania.

This is My Body, Come into My MInd by Alexandra Felseghi, Romania.

 

Carmen by Konstantin Purtseadze, Tbilisi Theatre, Georgia.

Carmen by Konstantin Purtsieadze, Tbilisi Theatre, Georgia.

 

Lynch Concert by Stuart Lynch, Denmark

Lynch Concert by Stuart Lynch, Denmark

Bike used in the Polish production of Macbeth, Who is that Bloodied Man?

Bike used in the Polish production of Macbeth, Who is that Bloodied Man?

 

Thuppal Malsyam by K R Ramesh

Thuppal Malsyam by K R Ramesh

Ravanama by Maya Krishnarao

Ravanama a solo by Maya Krishnarao

 

Last Song by Lars, Norway

Last Song by Lars, Norway

The Knocking Within by Wendy Jehlen

The Knocking Within by Wendy Jehlen, U S A

 

Artistes playing music to the people outside the official venues in the margins of ITFoK 2013.

Artistes playing music to the people outside the official venues in the margins of ITFoK 2013.

Carmen Choreo-drama, Tbilisi Theatre, Georgia.

Carmen Choreo-drama, Tbilisi Theatre, Georgia.

 

Gajab Kahani a Marathi play by Mohit Takalkar

Gajab Kahani a Marathi play by Mohit Takalkar

Matsya Gandhi by Sajitha Madhathil

Matsya Gandhi by Sajitha Madhathil. Played by Shailaja Ambu

 

King Lear a co-drama from Uzbekistan, participatory and inclusive

King Lear a co-drama from Uzbekistan, participatory and inclusive…

Macbeth- Who is that Bloodied Man?  by Pawel Skotak, Poland in the hockey stadium

Macbeth- Who is that Bloodied Man? by Pawel Skotak, Poland, in the hockey stadium

 

Indian Tempest a co-production by Footsbarn Traveling Theatre, Europe and Abhinaya Trivandrum.  Reghuthaman as Prospero.

Indian Tempest a co-production by Footsbarn Traveling Theatre, Europe and Abhinaya, Trivandrum. Reghuthaman as Prospero.

International Theatre Festival of Kerala 2012

Street play "Humortal" in progress before Sangeetha Nataka Akademi, Thrissur. 4 Feb 2012

Mixed spectators at ITFoK

ITFoK 2012 is on at Sangeetha Nataka Akademi complex in Thrissur from 2012 February 1 to 8.  This fourth edition of the festival focuses on classics rather than contemporary world theatre.  It is marked for the overwhelming presence of cultural activists and theatre persons from all over Kerala and all across the world.

Gayatri singing the opening lines before Manganiar musicians 1 Feb 2012

The focus on classics may also imply a strategic avoidance and erasure of the vibrancy and dynamism of contemporary theatre.  But some of the plays in the fest like Molagapodybased on Bama’s short fiction expressed the political and polemical dramatic articulations that could speak to its time.  Usha Ganguly’s adaptation of Chandalika by Tagore is also a meaningful theatrical experience that addresses the social inequality and weight of history in Indian and Bengali contexts.

Ramankutty Nair Asan, Thripekulam Achutha Marar, M V Devan and Parasala Ponnammal lighting the lamps together. 1 Feb 2012

Whatever be the thematic content and its political signification the audiences in Thrissur are making it a true and live festival of cultural interaction and carnival.  The auditoriums are burgeoning with the enthusiasm of the spectators.  But the artistic directors and conceptual designers must rethink about the political implications and contemporary relevance in the selection.

Malavikagnimitram by Kavalam. 1-2-12

Chinese Dragon from U K

Twenty Thousand Leagues Under the Sea from Italy

Molagapody by Srijith Sundaram (Tamil)

Water Station by Sankar Venkiteswaran

Sankar Venkiteswaran’s Water Station and Deepan Sivaraman’s Peer Gyntare two exceptional plays from Kerala.  While Sankar meditatively penetrated into the subtle layers of the visual, Deepan powerfully dramatized the other and darker realms of the human mind and senses through his firebrand style and execution.

Peer Gynt by Deepan Sivaraman

Imagining O by School of Arts, University of Kent was a revolutionary production in terms of theatrical improvisation, unconventional idiom, and the kind of new experience it offered to the audience.  The young director and his crew created a parallel world of fantasy and desire with a new body culture and communication.  It also provided a feminist critique of the classics and the contemporary world.

Director and actors of Imagining O, University of Kent

 

Odesseyus Chaoticus from Israel

Anupam Kher in Kuch Bhi Ho Saktha He

Carmen Funebre from Poland

Birthday Party by Sunil S