Theatre lovers who came to Palakad from all over Kerala were literally knocked down. One of the rare boxing-based dramatic performance in India; Knockout written and directed by the young theatre person Aliyar Ali, was premiered on 8 January 2022 at Palakad. Aliyar Ali comes from a diverse range of academic higher education and production experiences in contemporary theatre and performance from School of Drama Trichur, National School of Drama New Delhi, Royal Academy of Dramatic Art London and many other international performance productions.
Broadly based on and part of a transcultural adaptation of Samuel Beckett’s 1958 absurdist one-act play Krapp’s Last Tape; Aliyar’s Knockout presented the inner struggles of an old boxer and thereby every actor or performer on stage or the world of life at large with esoteric video art, brilliant audiovisual effects and techno simulations including the mysterious air-dropping and spatial interventions of a drone. The physical theatre or sports theatre becomes metaphorical in performance in our context as Prof Deepan Sivaraman, Dean, Ambedkar University New Delhi has observed in his FB promo.
The old man and the younger self surfacing through the playing of the old tape; are confronting each other on stage in 13 rounds and knocking out each other to fall and rise in tandem. The life that survives in the mortal contexts of struggle and race is the central theme and concern of theatre. A new visual language and dynamic physical idiom of performance are explored and improvised in the process of performance which is unprecedented in Kerala and India. Physical theatre and bodily nuanced boxing theatre performance in athletic tempo merge into the absurdist realities of our times.
Earlier Ali has done theatrical performances using football in his Penalty Kick in 2017 based on the short fiction “Higuita” by N S Madhavan. He has also illuminated the Kerala audiences during the silence of the covid pandemic through his unique take on the lasting lives of books in the libraries titled Lib. He has also been acknowledged with recognitions. We are also reminded of V C Harris’ earlier solo adaptation of Beckett’s same play as Krappinte Avasanate Tape in Malayalam done some six years ago and Aju K Narayanan’s short film Krappum Kuruppum (2017).
Set and visual design by Sajith K V Cherumakan another young emerging director are simple, captivating and appropriate. The lead performances by the Sangeeta Nataka Akademi award winner Dasan Kongad as the veteran boxer, Ijaz Ahmed as the younger self, Manoj Karate as referee, Biju Vairat, Satyan Kottayi and others as coaches and ring boys are brilliantly executed. Dasettan’s performance at this senior age was remarkable and inspiring.
Midhun Mohan has visually complemented the play with his video art and wide projections onto the PM Government HS School buildings near Victoria College that formed the stage and context. Mubarak Atmata has also perfected the special video effects. The projections and visualizations created an externalization of the characters and minds in an expressionist way. Akamsh Aku’s vocal improvisations called Beat-boxing in and through his body strokes, rhythmic tapings and vocal cords excelled in body theatre. Lights by Jose Koshy and sound by Satyajit added to the theatrical effects and wholistic dramatic experience.
The lethal fight between youth and old age or the past and the present is an external allegorical theatrical trope and anchoring premise of dramaturgy improvised by the playwright and director to suggest the inner conflicts of the human mind in turbulent schizophrenic times. Late capitalism and lethal communalization or cultural Nationalisms of various sorts that otherize our own self as an opponent to be eliminated violently; are intensifying this psychic split and schisms by further compartmentalizing the mind and society into watertight inhuman compartments of othering and violent genocidal combats.
The struggle and love-hate relationship between the sovereign self that tries to master the dissident or different other realms within the self and the struggling and resisting voice of the youthful and upsurging psyche are the subtle artistic connotations in totalitarian times. As in Penalty Kick and Lib Athlete Kayika Nataka Vedi or Body Theatre group and Human Sports Academy Palakad have once again materialized a meaningful cultural act of artful metaphorical representation of reality through Aliyar Ali’s Knockout! Congratulations to the director and his theatre team!
Text and images by Dr Ajay S. Sekher,
Assistant Professor of English, Research Supervisor and Coordinator of Centre for Buddhist Studies, SSUS Kalady 683574. 9895797798. email@example.com