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Elaveezha Poomchira; An Ancient Floral Pool on the Grassland Mountain Top March 1, 2022
Padagiri and Nelli Kulam in Nelliampati on the Northern Tip of Anamalais February 8, 2022
Sannati and Kanaganahally: Asoka’s Last Resorts in South India January 28, 2022
Knockout Drama: A Boxing-theatre Performance by Aliyar Ali Adapting Beckett in Our Context January 9, 2022
Dostoevsky on Kerala Stage: Aju K Narayanan’s Theatrical Production at School of Letters January 4, 2022
Marks and Sparks in Performance during the Pandemic October 8, 2021
The Worldliness of Compassionate Art: Alapuzha as the New Art Hub July 21, 2021
City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019

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My Paintings

Idol marked as Sasta in Krishnapuram palace museum. Actually a Boddhisatva idol related to Mahayana Buddhism of the early middle ages

Boddhisatva idol from Karapuram/Chertala. Raja Leelasana posture, hairdo and ornaments are marked features

Boddhisatva idol from Karapuram/Chertala. Raja Leelasana posture, hairdo and ornaments are marked features

Posted on January 27, 2015November 18, 2022Full size 2560 × 1920

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Published inBoddhisatva Idols from Kerala: Modification of Utariya into Sacred Thread and the Problems of Misrepresentation

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