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Elaveezha Poomchira; An Ancient Floral Pool on the Grassland Mountain Top March 1, 2022
Padagiri and Nelli Kulam in Nelliampati on the Northern Tip of Anamalais February 8, 2022
Sannati and Kanaganahally: Asoka’s Last Resorts in South India January 28, 2022
Knockout Drama: A Boxing-theatre Performance by Aliyar Ali Adapting Beckett in Our Context January 9, 2022
Dostoevsky on Kerala Stage: Aju K Narayanan’s Theatrical Production at School of Letters January 4, 2022
Marks and Sparks in Performance during the Pandemic October 8, 2021
The Worldliness of Compassionate Art: Alapuzha as the New Art Hub July 21, 2021
City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019

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My Paintings

20150125_110843

Boddhisatva idol at Vayalvaram, Chempazhanti. Recovered and installed by John Dharma Teerthar some 75 years ago. Mark the minimalist Utariya over the left shoulder.

Posted on January 27, 2015January 27, 2015Full size 1836 × 3264

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Published inBoddhisatva Idols from Kerala: Modification of Utariya into Sacred Thread and the Problems of Misrepresentation

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