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Elaveezha Poomchira; An Ancient Floral Pool on the Grassland Mountain Top March 1, 2022
Padagiri and Nelli Kulam in Nelliampati on the Northern Tip of Anamalais February 8, 2022
Sannati and Kanaganahally: Asoka’s Last Resorts in South India January 28, 2022
Knockout Drama: A Boxing-theatre Performance by Aliyar Ali Adapting Beckett in Our Context January 9, 2022
Dostoevsky on Kerala Stage: Aju K Narayanan’s Theatrical Production at School of Letters January 4, 2022
Marks and Sparks in Performance during the Pandemic October 8, 2021
The Worldliness of Compassionate Art: Alapuzha as the New Art Hub July 21, 2021
City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019

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ajaysekher.net.Ajanta.Ellora.Aurangabad.Elephanta 163

Buddha with the begging bowl in his own home town; A trace from an elaborate work at Ajanta. Flash not allowed. 25 May 2013.

Posted on May 28, 2013Full size 4896 × 3672

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Published inBuddha Purnima at Ajanta: Foundations of Indian Art in Aurangabad, Ellora, Elephanta and Ajanta Buddhist Caves

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