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City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019
Illikkal Kallu or Pallykal Kallu? The Ancient Rock that Looks Like a Buddha Head in Meenachil Taluk of Kottayam May 2, 2019
Buddha at Vellilapally in Kottayam District of Kerala March 27, 2019
Aquila Eagles and Ospreys in Lake Vembanad 2017: A Photo Essay December 5, 2017
Panayannar Kavu: The Sacred Grove by the Pampa near Parumala and Niranam October 30, 2017
Crows: A Poem by S Joseph May 12, 2016
Garudan Paravai and Tookkam: Bird Masquerade and Claw Hanging in Kerala April 24, 2016
Buddha as Elephant: Dhauligiri to Dindikal and the Mystery of Ganes January 2, 2016

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ajaysekher.net.Ajanta.Ellora.Aurangabad.Elephanta 134

The beauty of the Buddha form that also formed the foundation of ethical aesthetics and sculpture ever after. The oldest and most enduring ethical and artistic expression that humanity has ever produced.

Posted on June 16, 2013Full size 4896 × 3672

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Published inBuddha Purnima at Ajanta: Foundations of Indian Art in Aurangabad, Ellora, Elephanta and Ajanta Buddhist Caves

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