Skip to content

ajaysekher's weblog

Home
About Me
My Paintings
Archives

Recent Posts

Elaveezha Poomchira; An Ancient Floral Pool on the Grassland Mountain Top March 1, 2022
Padagiri and Nelli Kulam in Nelliampati on the Northern Tip of Anamalais February 8, 2022
Sannati and Kanaganahally: Asoka’s Last Resorts in South India January 28, 2022
Knockout Drama: A Boxing-theatre Performance by Aliyar Ali Adapting Beckett in Our Context January 9, 2022
Dostoevsky on Kerala Stage: Aju K Narayanan’s Theatrical Production at School of Letters January 4, 2022
Marks and Sparks in Performance during the Pandemic October 8, 2021
The Worldliness of Compassionate Art: Alapuzha as the New Art Hub July 21, 2021
City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019

Older Post Archives

Older Post Archives

My Paintings

monsoon-blues 007

The fading light: Getting darker at Sayipinkari now turned Taj Vivanta

Posted on September 1, 2012Full size 3072 × 2304

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Comment

Name *

Email *

Website

Enable Google Transliteration.(To type in English, press Ctrl+g)

Δ

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Post navigation

Published inMonsoon Blues: Rain and Colours around the Vembanad

Proudly powered by WordPress