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Knockout Drama: A Boxing-theatre Performance by Aliyar Ali Adapting Beckett in Our Context January 9, 2022
Dostoevsky on Kerala Stage: Aju K Narayanan’s Theatrical Production at School of Letters January 4, 2022
Marks and Sparks in Performance during the Pandemic October 8, 2021
The Worldliness of Compassionate Art: Alapuzha as the New Art Hub July 21, 2021
City of Enlightened Joy: Trivandrum or Tiru Ananda Puram June 27, 2020
Raining Hornbills and Elaphants: Riparian Rain Forests of Vazhachal and Atirapally June 9, 2019
Fairies of the Mountain Stream: Avifauna in Mathikettan Shola National Park and Bodhi Hills, Under Erasure June 7, 2019
The Land of the Vagai Trees: Biodiversity and Bird life in Vagaman and Ulpuni the Submerged Valley on the Highlands May 12, 2019
Painted Storks, Pelicans and Spoonbills at Komarakom: Climate Change Affecting Bird Movement in Kerala May 5, 2019
Illikkal Kallu or Pallykal Kallu? The Ancient Rock that Looks Like a Buddha Head in Meenachil Taluk of Kottayam May 2, 2019
Buddha at Vellilapally in Kottayam District of Kerala March 27, 2019
Aquila Eagles and Ospreys in Lake Vembanad 2017: A Photo Essay December 5, 2017

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My Paintings

May2012 110

Mahamaya/Mayadevi in Kulthupuzha in classic Yakshi stance with a mirror in hand and leaning onto a tree. Mahamaya is the mother of Buddha who is the central deity in Kilirur and Neelamperur

Posted on May 20, 2012Full size 3648 × 2736

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Published inSastha and Buddha: Buddhist Vestiges in Southern Western Ghats of Kerala

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