Ajaysekher.net » Poykayil Appachan

Rivers Achankovil, Pampa and Manimalayar: Eco-cultrual Diversity of Pathanamthitta

Ajay — Wed, 04 May 2011 18:14:01 +0000

River Pampa near Maramon, Kozhanchery, Pathanamthitta

Pathanamthitta is the gift of river Achankovil originating from the high ranges of the Western Ghats near the ancient forest shrine of Achankovil in the north eastern border of Kollam district so close to Senkotai and Tenkasi in Tamil Nadu. Achan Kovil means the shrine of Achan or the supreme deity. The Malayalam words Achan, Appan, Aliyan etc. have Sramana and Buddhist origins.

Kaviyoor Cave Temple; 5km east of Thiruvalla on TK road

Along with river Achankovil, Pampa and Manimalayar join in the Pathanamthitta basin in the west to make it fertile and lush green. The place name combining Pathanam (ship) and Thitta (river bank and delta) explains the ancient riverside inland port or Pattanam (port town) on the banks of Achankovil. Pathanapuram is also close towards the south.

Common Emigrants mud puddling near Kaviyoor rock-cut temple called Trikalkudi

All these three rivers drain to Kuttanad backwaters ultimately to lake Vembanad in the west like Kodoor, Meenachil and Muvatupuzha rivers. In the ancient times Pathanamthitta was part of this intricate inland waterways and wetland ecology and cultural water-scape. The rise in the water level in those days allowed big vessels to come so inland as this ancient inland port town.

Trikalkudi Jain rock-cut cave temple, Kaviyoor. AD 9th c. in Pallava style

Orange-tailed Dart at Kaviyoor, Thiruvalla, Pathanamthitta

Pathanamthitta was part of Kottayam and Kollam districts till a few decades ago. This beautiful new district has important cultural and ecological treasures that lure the travelers. On April 30, 2011 I made a 200 km midsummer drive through its tropical green contours, wetlands, deltas and dales.

Gateway to Kaviyoor rock temple: Between two gigantic granite rocks, modified recently

I started from Kottayam in the morning and went to Thiruvalla straight down south on the MC raod. From there took the eastern route to Pathanamthitta. Just 5 km east near Paipad backwater lake and on the western bank of river Manimalayar I visited Kaviyoor rock-cut cave temple. This 8th century carved granite temple is associated with Jain and Pallava architectural tradition later converted to a Hindu Siva temple.

Protected by Dept of Archeology: Facing west the Kaviyoor Trikalkudi rock cut temple

The giant granite rock and surrounding area is still called Trikalkudi or divine rock settlement or divine footmark settlement. Place names close to the locality like Pazhampally, Pallypuram and Mundyapally also expose the Sramana antiquity of the place.

Carved out of the rock: Front varandah and chamber of Kaviyoor cave temple

More than that Mallapally, Madapally, Vazhapally, Mariapally, Puthupally, Pallypurathukavu, Karthikapally, Karunagapally etc. are also surrounding this region. To add to all this there is a Hanuman temple now called after Siva. It could be well assumed that this was an ancient Jain cave temple like Kallil near Perumbavur in Ernakulam district in the north.

Pallava style Dwarapalaka in Kaviyoor cave temple: Earliest stone sculpture in Kerala, probably much older than 8th century

Local people still have the legends of Bhuthams (demonised Buddhists imagined after Brahmanical invasion) building the cave overnight like the Bhuthathankettu dam in Periyar near Thattekkad that was built by the Sramana sages for irrigating the Periyar valley and improving its agriculture.

Spring full even in summer towards the left of the cave

Devotee like Dwarapalaka in Pallava style, Kaviyoor rock temple

A local woman also told me that the foot mark engraved on the stone was on top of the rock but now being lost through various encroachments and erasures. Jains traditionally worship the footmarks of their gurus or Thirthankaras. There is also a brimming spring near the cave. Jain shrines are also known for their medicinal springs.

Facade shows clear marks of chiseling, removal and erasure like Kallil temple: Originally Jain later converted to Hindu Saiva temple in the middle ages

Pallava style Ganes in Kaviyoor rock temple. Ganes and Saraswati were originally Jain sub deities like Padmavati and Khusmandini later Hinduized as goddesses

The facade also shows signs of chiseling and erasures. The comparatively new stone phallus inside the chamber does not match with the antiquity of the surrounding carvings and is surely a later re-installation.

A hawk near Kaviyoor rock-cut temple 30 Apl 2011

Spring source at the top of Trikalkudi rock, Kaviyoor, Thiruvalla

Pipal in between the rocks at Trikalkudi rock temple, Kaviyoor

From there I re-entered the state highway connecting Thiruvalla with Pathanamthitta and went east a few more miles to reach Eraviperur (8 km east of Thiruvalla) the head quarters of PRDS a subaltern socio-cultural and spiritual movement established by Poykayil Kumara Gurudevan and the birthplace and memorial of Poykayil Kumara Gurudevan or Poykayil Appachan.

The hut in which Appachan was born and left his body in Eraviperur, Pathanamthitta

Poykayil Sri Kumara Gurudevan memorial, Eraviperur, Thiruvalla

I met the president and important people leading the institution. They welcomed me as the translator of Appachan to English and showed around the place including the preserved hut of Appachan where he was born and left the body.

Sri C P Damodaran, President, PRDS

Then again went east to Marmon the venue of the annual Christian convention on the banks of Pampa. Thanks to the summer showers all the rivers and water bodies in the district are full and brimming with fresh water.

River Pampa near Maramon, Kozhanchery, Pathanamthitta

I remembered accounts of C V Kunhiraman addressing the huge gathering in the Maramon Convention on the banks of the great river to talk about caste and the vitality of conversion in fighting it in the early decades of 20th century during the hey day of Kerala renaissance social struggles.

A Shikra at Maramon, Pathanamthitta

On crossing the river Pampa on the eastern bank I met another revolutionary speaker immortalized in a bronze statue. It was C Kesavan in metal delivering his historic Kozhanchery address in 1935 during the Nivarthana Prakshobham or joined struggle by Christians, Muslims and Ezhavas.

Muloor memorial near Keralavarmasaudham, Elavumthitta, Pathanamthitta

Enjoying rice and spicy fish curry from a restaurant near the Pampa bridge I resumed my journey via Thekemala to Elavumthitta (around 10 km from Kozhanchery) the land of another brave son of the soil enriched by rivers Pampa and Achankovil.

Epitaph explaining his philosophy of humanim and keen sense of equity: Muloor in eternal versification

It was Muloor S Padmanabha Paniker who questioned Savarna hegemony in poetry and literature in an unquestionable fashion towards the end of 19th century in Malayalm and paved the way for Asan, Karupan and Sahodaran and a whole lot of Avarna or untouchable poets and writers in Malayalm through his brilliant verses and literary interventions that shook the cultural monopolies of the Savarna lords for ever. I reached his renowned home named after his friend, Keralavarma Saudham around 3pm. The newly preserved home and monument by Govt. of Kerala are a treat to the eye and the mind.

Poet's home named after his friend as Keralavarmasaudham, Elavumthitta, Pathanamthittta

It was getting cloudy and it began to drizzle. The humidity and heat of Pathanamthitta just before the summer showers are really challenging during this time of the year.

Muloor Memorial Govt. UP School, Elavumthitta, Pathanamthitta

But it is also a unique experience of nature in its own. At Elavumthitta I also visited the the Govt. UP School that is named after Muloor. A Buddha Engineering college for girls is also coming up in the region near Ayathil the wife house of Muloor.

Shrines dedicated to Narayanaguru and local deities near Keralavarmasaudham, Elavumthitta

From Elavumthitta I drove to Pathanamthitta the capital town of the district and visited my publishing friends Saju of Prasakti Books and Hari of Fabian at the Library Council Book Fair happeing in Co-operative College premises.

Interior of Keralavarmasaudham: Full of portraits of poets and lines from poetry

Browsing through some of their new titiles that they gifted to me and savoring tea with them I went up to Konni a few miles south on the Muvatupuzha-Punalur Hill Highway to enquire about the new Konni-Achankovil road now being developed by Kerala PWD.

Muloor home amidst the greenery of Elavumthitta, accessible through road from Pathanamthitta and Kozhanchery, some ten km from these centers

I went up to the margin of Pathanamthitta district and touched the border of Kollam through this new route by driving through the teak plantations for a few miles. Then talked to the local people and they informed me that the route lacked tarring in a mid 10km stretch in its 40 km course. I began my return journey through Konni-Pathanamthitta-Kozhanchery-Thiruvalla-Changanassery-Kottayam at around 6.30pm. The roads are good in this route.

Blue-tailed Dart in Elavumthitta

I reached home in Gandhinagar, Kottayam at around 9.45pm. Thanks to our little Maruti 800 the 12 hour and 200km drive on a hot and humid midsummer day was sensational and empowering in various ways in which I learned and experienced a lot about my neighboring district; its past, present, culture, nature and people.

Beauty of Elavumthitta architecture: Govt. rennovating the cultural treasures of Muloor home

I also found out a new thing about our rivers. Rivers are accessible and could be experienced through roads as well. But there is nothing like sailing through the rivers themselves and touching their fresh water with your hands. Compared to other districts Pathanamthitta rivers seem to be free from plastic wastes and pollution as well.

Grey Past and Green Present: From the top of Kaviyoor Trikalkudi rock temple

Dreams Deferred: A Solo

Ajay — Sat, 08 May 2010 08:09:46 +0000

What happens to a dream deferred? Asked Langston Hughes from Harlem renaissance. He concluded his famous poem by aptly assuming that it would eventually explode! The explosive and subversive power of human dreams that are visual signs and memories are explored on canvas in my first solo exhibition of painting titled “Dreams Deferred” which is on at Dubar Hall Art Centre, Ernakulam from May 9 to 15, 2010 (Gallery D, First Floor).

'Pandit Karuppan' Mixed Media 2010

Paintings and drawings done in the last few years in acrylic and mixed media are on show including figurative and abstract compositions, portraits and landscapes. The images and motifs radically question, deconstruct and subvert mainstream visual culture and representation. Sites of power and hegemony are critiqued and caricatured. The art show is part of a new democratic cultural politics of difference in the field of visual culture and semiotics.

'Nude' Acrylic on Canvas 2007

The works are well situated within the contesting locations of culture and struggle within Kerala and its contemporary cultural history. Visual references and nuances point towards the historic epistemological and semiotic struggle between cultural elitism and democratic politics of the people, the subaltern. All who are interested in the contemporary visual culture and the politics of resistance and survival are welcome to this little act.

Some Media Responses

New Indian Express Review

Report in Desabhimani Daily

Review in Metro News

Viewers at the gallery

A Song of Poykayil Appachan

Ajay — Tue, 25 Aug 2009 00:14:50 +0000

No, not a single letter is seen

Portrait of Poykayil Appachan, Charcoal on Paper 2010, Ajay Sekher

On my race

So many histories are seen

On so many races

Scrutinize each one of them

The whole histories of the world

Not a single letter is seen

On my race

There was no one on this earth

To write the history

Of my race in the olden days

What a pity!

Think of it

Regret fills within

Let me add something

In my own melody

The story of

A people who lived in Kerala

Since the ancient times

And how they became demons

No shame have I

To say the faults of my caste

Though all blame me

A cursed offspring on earth

How is it possible

That all blame us

Till the end

Of earth and sky

How can God

Who shaped everything

Allow this to happen

On earth today?

(Translated from Malayalam by Dr Ajay Sekher).

For details and more songs by this dalit social reformer of Kerala see Unknown Subjects: Songs of Poykayil Appachan. Edited by V V Swamy and E V Anil. Translated by Ajay Sekher. Kottayam: IPRDSS, 2008.